{"id":3410,"date":"2021-03-18T14:58:27","date_gmt":"2021-03-18T13:58:27","guid":{"rendered":"https:\/\/lechemindubonheur.film\/auteurs-henri-roanne-rosenblatt-michel-fessler\/"},"modified":"2021-05-11T12:02:44","modified_gmt":"2021-05-11T10:02:44","slug":"written-by-michel-fessler-henri-roanne-rosenblatt","status":"publish","type":"page","link":"https:\/\/lechemindubonheur.film\/en\/written-by-michel-fessler-henri-roanne-rosenblatt\/","title":{"rendered":"Written by Michel Fessler &#038; Henri Roanne-Rosenblatt"},"content":{"rendered":"<p>[vc_row remove_margin_top=&#8221;yes&#8221; remove_padding_top=&#8221;yes&#8221; css=&#8221;.vc_custom_1616000468051{padding-top: 60px !important;padding-bottom: 38px !important;background-image: url(https:\/\/lechemindubonheur.film\/wp-content\/uploads\/2021\/03\/U7A1848-scaled.jpg?id=23) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;THE AUTHORS&#8221; font_container=&#8221;tag:h2|text_align:center|color:%23ffffff|line_height:1&#8243; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row wrap_container=&#8221;yes&#8221; el_class=&#8221;m-t-md m-b-md p-t-sm&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_custom_heading text=&#8221;AUTHOR&#8221; font_container=&#8221;tag:h5|font_size:13px|text_align:left|line_height:18px&#8221; use_theme_fonts=&#8221;yes&#8221; text_transform=&#8221;text-uppercase&#8221; el_class=&#8221;m-b-xl font-weight-bold&#8221;][vc_custom_heading text=&#8221;MICHEL FESSLER&#8221; font_container=&#8221;tag:h2|font_size:28px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_single_image image=&#8221;2006&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_custom_heading text=&#8221;BIOGRAPHY&#8221; font_container=&#8221;tag:h2|font_size:28px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_column_text]Michel Fessler grew up in Senegal, which greatly inspired his passion for cinema. At the age of 20, he opens two arthouse cinemas in his city, and later directs documentaries on cinema, literature and art for FRANCE 3 and LA CINQ\/ARTE. He subsequently becomes a successful writer for TV series and films.<\/p>\n<p>Michel Fessler is credited with multiple participations as writer or co-writer for French and international feature and animation films. Three films he collaborated on have been nominated at the Oscars: FARINELLI, RIDICULE and LA MARCHE DE L\u2019EMPEREUR. The latter won the Oscar for Best Documentary.<\/p>\n<p>Today, he is an accomplished screenwriter who has written and\/or co-written more than thirty films of different genres.[\/vc_column_text][vc_custom_heading text=&#8221;FILMOGRAPHY&#8221; font_container=&#8221;tag:h3|font_size:22px|text_align:center|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<span style=\"font-size: 12px;\"><strong>THE WAY TO HAPPINESS <\/strong>| CO-DIRECTOR | 2021<br \/>\n<strong>LE PORTRAIT INTERDIT<\/strong> | DIRECTED BY CHARLES DE MEAUX | 2017<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>UN JUIF POUR L\u2019EXEMPLE<\/strong> | DIRECTED BY JACOB BERGER | 2015<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>BORN<\/strong> | DIRECTED BY CLAUDIO ZULIAN | 2014<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>TERRE DES OURS<\/strong> | DIRECTED BY GUILLAUME VINCENT | 2014<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>AFRICAN SAFARI 3D<\/strong> | DIRECTED BY BEN STASSEN | 2014<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>MA BONNE \u00c9TOILE<\/strong> | DIRECTED BY JACOB BERGER | 2012<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>J\u2019IRAI AU PAYS DES NEIGES<\/strong> | DIRECTED BY JO\u00cbL FARGES | 2011<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>GIBIER D\u2019\u00c9LEVAGE<\/strong> | DIRECTED BY<\/span><span style=\"font-size: 12px;\">\u00a0RITHY PANG | 2011<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>AO, LE DERNIER NEANDERTAL<\/strong> | DIRECTED BY JACQUES MALATERRE | 2010<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>LOUIS XV<\/strong>, <strong>LE SOLEIL NOIR<\/strong> | DIRECTED BY THIERRY BINISTI | 2009<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>VERSAILLES<\/strong>, <strong>LE R\u00caVE D\u2019UN ROI<\/strong> | DIRECTED BY THIERRY BINISTI | 2008<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>UN BARRAGE CONTRE LE PACIFIQUE<\/strong> | DIRECTED BY RITHY PANH | 2008<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>LE SACRE DE L\u2019HOMME<\/strong> | DIRECTED BY JACAQUES MALATERRE | 2007<\/span><br \/>\n<span style=\"font-size: 12px;\"><strong>SERKO<\/strong> | DIRECTED BY JO\u00cbL FARGES| 2006<br \/>\n<strong>MAN TO MAN<\/strong> | DIRECTED BY R\u00c9GIS WARGNIER | 2005<br \/>\n<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<span style=\"font-size: 12px;\"><strong>LA MARCHE DE L\u2019EMPEREUR<\/strong> | DIRECTED BY LUC JACQUET | 2005<br \/>\n<strong>T\u2019CHOUPI<\/strong> | DIRECTED BY JEAN-LUC FRAN\u00c7OIS | 2004<br \/>\n<strong>L\u2019ODYSS\u00c9E DE L\u2019ESP\u00c8CE<\/strong> | DIRECTED BY JACAQUES MALATERRE | 2003<br \/>\n<strong>AU SUD DES NUAGES<\/strong> | DIRECTED BY JEAN-FRAN\u00c7OIS AMIGUET | 2003<br \/>\n<strong>QUAND TU DESCENDRAS DU CIEL<\/strong> | DIRECTED BY ERIC GUIRADO | 2003<br \/>\n<strong>L\u2019ENFANT QUI VOULAIT \u00caTRE UN OURS<\/strong> | DIRECTED BY JANNIK HASTRUP | 2002<br \/>\n<strong>HANUMAN<\/strong> | DIRECTED BY FR\u00c9D\u00c9RIC FOUGEA | 1998<br \/>\n<strong>IMUHAR<\/strong> | DIRECTED BY JACQUES DUBUISSON | 1997<br \/>\n<strong>RIDICULE<\/strong> | DIRECTED BY PATRICE LECONTE | 1996<br \/>\n<strong>B\u00caTE DE SC\u00c8NE<\/strong> | DIRECTED BY BERNARD NISSILE | 1996<br \/>\n<strong>LE CENSEUR DU LYC\u00c9E D\u2019\u00c9PINAL<\/strong> | DIRECTED BY MARC RIVIERE | 1996<br \/>\n<strong>FARINELLI<\/strong> | DIRECTED BY G\u00c9RARD CORBIAU | 1995<br \/>\n<strong>L\u2019AFFUT<\/strong> | DIRECTED BY YANNICK BELLON | 1992<br \/>\n<strong>L\u2019ANN\u00c9E DE L\u2019\u00c9VEIL<\/strong> | DIRECTED BY G\u00c9RARD CORBIAU | 1991<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row wrap_container=&#8221;yes&#8221; el_class=&#8221;m-t-md m-b-md p-t-sm&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_custom_heading text=&#8221;HENRI ROANNE-ROSENBLATT&#8221; font_container=&#8221;tag:h2|font_size:28px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_custom_heading text=&#8221;AUTHOR&#8221; font_container=&#8221;tag:h5|font_size:13px|text_align:left|line_height:18px&#8221; use_theme_fonts=&#8221;yes&#8221; text_transform=&#8221;text-uppercase&#8221; el_class=&#8221;m-b-xl font-weight-bold&#8221;][vc_single_image image=&#8221;1747&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_custom_heading text=&#8221;BIOGRAPHY&#8221; font_container=&#8221;tag:h2|font_size:28px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_column_text]A former critic and director of episodes on cinema at the <strong>RTBF <\/strong>(Belgian Radio-television of the French Community), Henri Roanne-Rosenblatt was born in Vienna in 1932 and has become a naturalised citizen of Belgium.<\/p>\n<p>Together with G\u00e9rard Valet, he directed the feature films <strong>CHINE <\/strong>(1971), and <strong>MOI, TINTIN <\/strong>(Selection Cannes Film Festival).<\/p>\n<p>Expert A2 at the European Commission, he initiated, alongside Holde Lhoest, the <strong>PROGRAMME MEDIA. <\/strong>He is a member of the board of directors of the <strong>CIN\u00c9MATH\u00c8QUE ROYALE DE BELGIQUE.<\/strong><\/p>\n<p>He was a member of the board of directors of the reading committee of <strong>FONSPA (FILM FUND LUXEMBOURG). <\/strong>For this contribution, he was awarded the \u201cm\u00e9daille de Chevalier d\u2019Ordre grand-ducal de la Couronne de Ch\u00eane\u201d (Order of the Oak Crown) for \u201c<em>his contribution and activities in favour of the development of European and in particular Luxembourgish cinema\u201d<\/em>.<\/p>\n<p>He was \u201ccharg\u00e9 de mission\u201d at the Belgian Ministry cabinet for French Culture (for the creation, alongside Henry Ingberg, of the Audiovisual Service \u2013 now Audiovisual Direction) and presided over the Selection Commission for films of the French Community. He was a teacher at the University of Li\u00e8ge, in charge of a course on the economy of cinema.<\/p>\n<p>Between 2018 and 2019, Henri Roanne-Rosenblatt hosted conferences on the Kindertransporte entitled <strong>L\u2019EXODUS DES ENFANTS<\/strong> in schools and community centres in Washington, San Antonio (Texas), Eupen, Genval, Herbestal and Cologne in particular.<\/p>\n<p>He is the author of two novels: <strong>LA VIE CACH\u00c9E DE TINTIN <\/strong>(Filipson \u00c9dition, 2005) and <strong>LE CIN\u00c9MA DE SA\u00dcL BIRNBAUM <\/strong>(Gen\u00e8se Edition, 2013). He collaborates with Michel Fessler for the cinematic adaptation of the latter novel produced by <strong>IRIS PRODUCTIONS.<\/strong>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_custom_heading text=&#8221;FILMOGRAPHY&#8221; font_container=&#8221;tag:h3|font_size:22px|text_align:center|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_column_text]<strong>THE WAY TO HAPPINESS <\/strong>| <span style=\"font-size: 13px;\">CO-WRITER<\/span> | <span style=\"font-size: 13px;\">2021<\/span><strong><br \/>\n<\/strong><strong>MOI TINTIN<\/strong> | <span style=\"font-size: 13px;\">CO-DIRECTOR<\/span>| <span style=\"font-size: 13px;\">1976<\/span><strong><br \/>\nCHINE <\/strong>| <span style=\"font-size: 13px;\">CO-WRITER<\/span>| <span style=\"font-size: 13px;\">1971<\/span><strong><br \/>\n<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_custom_heading text=&#8221;BIBLIOGRAPHY&#8221; font_container=&#8221;tag:h3|font_size:22px|text_align:center|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_column_text]<strong>LA VIE CACH\u00c9E DE TINTIN<\/strong> | <span style=\"font-size: 13px;\">WRITER <\/span>| <span style=\"font-size: 13px;\">2005<\/span><br \/>\n<strong>LE CIN\u00c9MA DE SA\u00dcL BIRNBAUM<\/strong> | <span style=\"font-size: 13px;\">WRITER <\/span>| <span style=\"font-size: 13px;\">2013<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner disable_element=&#8221;yes&#8221;][vc_column_inner][vc_custom_heading text=&#8221;EN D\u00c9VELOPPEMENT&#8221; font_container=&#8221;tag:h3|font_size:20px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_column_text]<strong>QUANTRICS<\/strong> | <span style=\"font-size: 13px;\">R\u00c9ALIS\u00c9 PAR THIERRY SCHIEL<\/span> | <span style=\"font-size: 13px;\">IRIS PRODUCTIONS<\/span><br \/>\n<a href=\"https:\/\/theirisgroup.eu\/iris-productions\/le-prince-de-la-cite-des-sables\/\" target=\"_blank\" rel=\"noopener\"><strong>LE PRINCE DE LA CIT\u00c9 DES SABLES<\/strong><\/a> | <span style=\"font-size: 13px;\">R\u00c9ALIS\u00c9 PAR ENZO D\u2019ALO<\/span> | <span style=\"font-size: 13px;\">IRIS PRODUCTIONS<\/span><br \/>\n<strong>LE PETIT NICOLAS<\/strong> | <span style=\"font-size: 13px;\">R\u00c9ALIS\u00c9 PAR YVAN ATTAL &amp; AMANDINE FREDON<\/span> | <span style=\"font-size: 13px;\">ONYX FILMS<\/span><br \/>\n<strong>LA FEMME SUR LA PLAGE<\/strong> | <span style=\"font-size: 13px;\">R\u00c9ALIS\u00c9 PAR YANN GOZLAN<\/span> | <span style=\"font-size: 13px;\">EAGLES TEAM ENTERTAINMENT<br \/>\n<\/span><strong>LE SECRET DE VENISE<\/strong> | <span style=\"font-size: 13px;\">R\u00c9ALIS\u00c9 PAR THIERRY BINISTI<\/span> | <span style=\"font-size: 13px;\">LES FILMS D\u2019ICI<br \/>\n<\/span><strong>TIPPI<\/strong> | <span style=\"font-size: 13px;\">R\u00c9ALIS\u00c9 PAR TBC<\/span> | <span style=\"font-size: 13px;\">ECHO FILMS<\/span>[\/vc_column_text][vc_custom_heading text=&#8221;PRODUITS&#8221; font_container=&#8221;tag:h3|font_size:20px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row remove_margin_top=&#8221;yes&#8221; remove_padding_top=&#8221;yes&#8221; css=&#8221;.vc_custom_1616000468051{padding-top: 60px !important;padding-bottom: 38px !important;background-image: url(https:\/\/lechemindubonheur.film\/wp-content\/uploads\/2021\/03\/U7A1848-scaled.jpg?id=23) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;THE AUTHORS&#8221; font_container=&#8221;tag:h2|text_align:center|color:%23ffffff|line_height:1&#8243; use_theme_fonts=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row wrap_container=&#8221;yes&#8221; el_class=&#8221;m-t-md m-b-md p-t-sm&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_custom_heading text=&#8221;AUTHOR&#8221; font_container=&#8221;tag:h5|font_size:13px|text_align:left|line_height:18px&#8221; use_theme_fonts=&#8221;yes&#8221; text_transform=&#8221;text-uppercase&#8221; el_class=&#8221;m-b-xl font-weight-bold&#8221;][vc_custom_heading text=&#8221;MICHEL FESSLER&#8221; font_container=&#8221;tag:h2|font_size:28px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_single_image image=&#8221;2006&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_custom_heading text=&#8221;BIOGRAPHY&#8221; font_container=&#8221;tag:h2|font_size:28px|text_align:left|line_height:42px&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;font-weight-bold m-b-none&#8221;][vc_column_text]Michel Fessler grew up in Senegal, which greatly inspired [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":130,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3410","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/pages\/3410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/comments?post=3410"}],"version-history":[{"count":6,"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/pages\/3410\/revisions"}],"predecessor-version":[{"id":3604,"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/pages\/3410\/revisions\/3604"}],"wp:attachment":[{"href":"https:\/\/lechemindubonheur.film\/en\/wp-json\/wp\/v2\/media?parent=3410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}